Ways to talk about cutting without talking about cutting
Melissa Nicholls
Option 1
Start with do you ever?
and then let the question hang like a bloated awning
as you mime a see-saw motion over your wrist.
Ideal if:
(a) you are a yellow-haired ER nurse;
(b) you faked sick to go to Scottsdale for a bachelorette; and,
(c) you missed the trauma sensitivity training.
Option 2
Start with this is what we call a 911 behaviour
and then be blasted by the quiet contempt of six
stone-faced women who could be your peers.
Ideal if:
(a) you are a medical student on rotation in psychiatry;
(b) you got roped into facilitating the Managing Emotions seminar; and,
(c) your supervisor swore this would be a good opportunity.
Option 3
Start with hey, did you take one of my razors?
and deliver it with the feigned nonchalance
of someone who has tiptoed a thousand tightropes.
Ideal if:
(a) you are a boyfriend, gentle and attuned;
(b) you hate to see the person you love (identify with, rely on) suffer; and,
(c) you are a taurus-capricorn-taurus who can tell when something is out of place.
Option 4
Start with a joke, or a lie, or silence
and bury it beneath a pageant-queen poise
that prides itself in agile deflection.
Ideal if:
(a) you are afraid to draw attention to yourself;
(b) you are afraid to be accused of drawing attention to yourself;
(c) you don’t want to trigger anybody;
(d) you don’t want to romanticize what is ultimately an inadvisable activity;
(e) you would rather not upset your mother;
(f) you would rather not scandalize your colleagues at the corporate wellness event;
(g) you don’t want to tarnish your reputation as a sensible, tax-paying, do-gooder;
(h) you don’t want to fuel the trope that white women own Mental Illness™; and,
(i) you know a name can be an incantation and don’t want to conjure a predecessor; the one Rod Stewart calls the deepest; the preliminary gouge; the seed of the now unsayable pain; the one that trembles beneath the covers, still; awake and alive and always on the precipice of confession.
Melissa Nicholls (she/her) is grateful to live on the unceded territory of the Anishinaabe Algonquin Nation. Alongside being a devoted day-jobber, she is also an emerging writer and a dancer and choreographer with the Voices Dance Project.



